With funding from the Armed Forces Covenant Fund Trust, Surrey County Council has captured the life stories of four veterans and presented the booklets to them and their families in a special ceremony at The Comrades Club, Epsom in The Parade, Epsom

Part of the Force for Change project, the funding provided was to identify former service personnel living in Surrey who were not already known to the council, document their life stories and look at how veterans can be further supported.

The project focused on three areas of Surrey – Epsom & Ewell, Guildford and Surrey Heath. Activities organised to engage veterans included canal boat trips, basketball sessions, outdoors and indoor archery, fire skills and model-making sessions.

Alongside this, newly trained volunteers from Bourne Hall museum in Ewell, supported by trained staff from the Surrey History Centre worked with the veterans to document and record their life stories. The booklets created will be stored in the Surrey History Centre for future generations, and copies have been presented to the veterans and their families.

Chair of the Council, Saj Hussain is the Armed Forces Champion for Surrey County Council. He said: “Preserving the life stories of our veterans is not just a responsibility; it’s a tribute to their sacrifices. Through the Force for Change project, we’ve had the privilege of documenting and sharing these remarkable journeys. These booklets serve as a testament to their dedication and resilience, ensuring that their legacy lives on for future generations and their families to learn from and be inspired by.”

Councillor Kevin Deanus, Surrey County Council Cabinet Member for Fire and Rescue, and Resilience, said: “Time is running out for us to capture these important stories and ensure they are documented for future generations. We are delighted to have been able to support this project, to be able to connect with and provide support for more veterans in Surrey.”

One of the volunteers, Phil Read, documented Tegwyn Bryn Lloyd’s story. Sadly, Tegwyn passed away last year shortly after completing his life story.  Phil said: “He [Tegwyn] came across as a very gentle soul to me, God fearing and that. Very gentle but yet did his duty and that overrode everything else and that came across to me more than anything.”

Throughout the project veterans were connected to the veteran hubs across Surrey for ongoing social activities and support.

If you or a family member is serving, has served, or if you support members of the Armed Forces community, you can download the free Forces Connect app from Apple or Google stores. The app signposts to a wide range of support services.

UK Disability History Month runs from 16 November to 16 December and aims to promote disabled people’s rights and their struggle for equality now and in the past.

This year’s theme is Disability, Children and Youth and to coincide with this Surrey History Centre (SHC) has announced a collaboration with Professor Jane Hamlett from Royal Holloway, University of London’s History Department working on a project to uncover and share the histories of children at schools for the deaf and blind.

From the early twentieth century some of the leading residential schools for the deaf and blind were based in Surrey, including the Royal School for the Blind, Nutfield Priory and Burwood School. When the schools closed in the 1980s and 1990s their records were accessioned by SHC.

The research team will carry out a new archival survey of this material, uncovering historical experience from the archives. The project aims to use participatory research to create a new historical narrative about these children’s lives, through collaboration with charities who work with young people with learning disabilities. The research will be used to inform a new guide to history of disability on SHC’s website Exploring Surrey’s Past and a new audio resource that will narrate stories from the archives.

See more news and events from The Surrey History Centre HERE

In Loving Memory of Peter Reed (23/08/52 – 19/10/23). Peter Reed passed away on October 19, 2023, leaving a void in the hearts of many. Born and raised in Epsom and Ewell to James and Evelyn Reed, Peter’s journey was defined by his unwavering dedication to his family and his profound impact on the community.

A man of generous spirit and unwavering kindness, Peter’s life reflected a passion for understanding the inner workings of the world around him. From an early age, his curiosity led him to disassemble toys, cultivating an interest in creation, particularly in woodworking and exploring historical contexts. His inquisitiveness matured into a fascination with the evolution of technology, particularly in the realm of computers and their historical significance. His career path led him to utilize his technical acumen at the Inland Revenue, Lambeth Council, and a London medical center, where he not only honed his skills but also used his expertise to benefit various charitable causes.

Peter’s profound love for history propelled him to join the Epsom and Ewell History Centre at Bourne Hall in 2005. There, he spearheaded the creation of the website and served as the dedicated webmaster for the Epsom and Ewell History Explorer. His commitment extended beyond mere content creation; he tirelessly assisted countless individuals, locally and internationally, with historical inquiries, demonstrating his wealth of knowledge and willingness to help others.

Recognized as the driving force behind the History Explorer website, Peter’s collaborative efforts with local experts and his encyclopedic knowledge of the area facilitated an invaluable resource for researchers and history enthusiasts. His significant contributions were felt and appreciated by numerous individuals and organizations, symbolizing his profound impact on the preservation and promotion of local history.

While Peter leaves behind no immediate family of his own, he leaves a lasting legacy in the hearts of his sister, nieces, and a community that deeply appreciated his dedication and expertise. His loss is deeply felt, but his remarkable contributions to the Epsom and Ewell community will forever be remembered and cherished.

Peter Reed’s passion, dedication, and selfless commitment to preserving local history have left an indelible mark. His legacy lives on in the continued work of those he inspired, ensuring that the Epsom and Ewell History Explorer remains a testament to his invaluable contributions to local heritage. He will be greatly missed, but his impact will resonate through the cherished memories and the enduring legacy he leaves behind.

Image: Peter Reed with his local history “angels”.

A pale and slender man, suffering from ill health, began drawing an image by candlelight inside a room in Epsom’s Spread Eagle Hotel in June 1896 probably knowing he was nearing the end of his life.

A year earlier the same man’s career had taken a dramatic turn for the worse when he was sacked from his job through no fault of his own and now, he found himself alone, poverty stricken and shunned as a consequence of Oscar Wilde, the poet and playwright being arrested and charged with gross indecency.

With one lung barely functioning and the other becoming affected, (as determined by an Epsom doctor) the well-dressed dandy who liked to wear dove-grey suits, hats, ties and yellow gloves continued to create ink drawings inside his two rooms at The Spread Eagle Hotel in Epsom, albeit for a much-reduced client base.

The frail man who had booked himself into The Spread Eagle Hotel was the artist, Aubrey Beardsley, but this was not his first visit to Epsom, as he had previously spent two of his difficult childhood years living in lodgings in Ashley Road, a short distance from where The University of the Creative Arts campus is today.  Sadly, Aubrey had contracted tuberculosis as a young boy, but could take long walks on the Downs in the fresh air with his mother and sister, Mabel as recommended by his doctors. 

Now, thirteen years later, Aubrey Beardsley had returned to Epsom on the advice of his doctors to breath the town’s better air whilst walking on the Downs which he did for the duration of his visit, although such walks were becoming increasingly difficult to undertake.

Whilst Aubrey’s second stay in Epsom only lasted a few weeks, he managed to complete eight illustrations in The Spread Eagle Hotel for a proposed privately printed edition of the ancient Greek comedy Lysistrata by Aristophanes which could be sold expensively to connoisseurs by his publisher.  The Lysistrata drawings are sexually explicit and these illustrations together with his drawings for Oscar Wilde’s disturbing drama Salome (the play premiered in Paris in 1896) are among Aubrey’s most famous. 

According to Wikipedia, Aubrey Beardsley was “the most controversial artist of the Art Nouveau era” who was “renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work”. 

Wikipedia goes on to add that Aubrey “satirized Victorian values regarding sex, that at the time highly valued respectability”, so it is not surprising that he chose to hide himself away in The Spread Eagle Hotel in the aftermath of the now outdated scandal involving Oscar Wilde and his lover, Lord Alfred Douglas which led to anyone associated with Oscar Wilde being suspected of sodomy. 

Despite the sexual nature of his imagery, there is no evidence to suggest that Aubrey had sexual relations with anyone regardless of their sexual orientation, although the precise nature of his relationship with his sister, Mabel (who he drew naked in an illustration which also included his client Oscar Wilde and a goat – legged faun) will undoubtedly continue to form the topic of discussion amongst historians and art critics. 

Upon departing Epsom where he had completed some of his best works, Aubrey Beardsley continued to suffer from declining health leading to him having a violent haemorrhage in December 1896 and moving to the French Riviera in April 1897 in an attempt to prolong his life.

Sadly, Aubrey’s days were numbered and it was whilst he was on his death bed in the French Riviera that Aubrey wrote to his publisher pleading with him to destroy the illustrations he had drawn in Epsom at The Spread Eagle Hotel.  The publisher sent a telegraph to Aubrey telling him his dying wish had been granted, but the truth is the publisher lied and kept the illustrations for his own financial gain – an act that perhaps we should forgive him for selfishly carrying out.

Aubrey Beardsley died of tuberculosis in the early hours of 16 March 1898 in the presence of his mother and sister.  

Aubrey may only have been 25 years old at the time of his death, but despite his young age, according to The Guardian Newspaper, “he put sexuality at the centre of modern art for the first time” and spread “his influence across Europe – to Vienna, Paris and Barcelona – 25 years before surrealism”.

As the erotic ink drawings of the pale and slender young man which influenced world famous artists such as Picasso, Schiele and Klimt remain extremely important today, let us hope that in the near future a new plaque with the name “Aubrey Beardsley” prominently displayed on it will be attached to the front of The Spread Eagle (the existing plaque makes no mention of Aubrey) to remind everyone of the talented artist who came to Epsom to draw some of his most thought provoking and imaginative illustrations long before there was any acceptance of fluid sexualities and total freedom of expression.

The Spread Eagle in Epsom High Street is perhaps more significant than many people realise as a result of Aubrey Beardsley staying there and drawing erotica by candlelight.   

On World Mental Health Day 10th October on a working and un-seasonally hot day, young and old gathered in commemoration of the 9000 patients buried in Epsom’s abandoned Cemetery.

The events were the climax to a year long project of The Friends of Horton Cemetery, supported by Kings College and Dr Alana Harris, local resident and Reader in History at the University. Entitled “Out of Sight, Out of Mind”, the project raised awareness throughout the Borough of the lives of 9000 patients buried between 1899 and 1955. In their memory nearly 1600 ceramic flowers were uniquely painted by hundreds of concerned citizens as they contemplated the stories and photographs of individual patients.

The celebration started in a private field provided for the day by local farmer Mr Seymour Bourne and located right next to the five acre Cemetery. The largest asylum cemetery in Europe. Under a blazing Autumn sun the gathering was addressed by the charity’s secretary Mr Lionel Blackman, who called for a rejection of a local council categorisation of the Cemetery as “amenity woodland”. The Mayor of Epsom and Ewell, Cllr Robert Geleit (Labour Court Ward) spoke of Epsom’s historic connection to the five psychiatric hospitals in the Borough.

Patron of the charity, Chris Grayling MP sent a message, read by Horton Ward Cllr Kieran Persand: “It’s easy not to realise, as you drive past, the piece of history that lies behind the fence. Thousands of people lived in the old hospitals, lived and died mostly anonymously. They have no gravestones to mark their final resting place. And disgracefully the cemetery has been allowed to rot by its current owners. It is a credit to the work of the Friends, and of people like Alan Carlson who raised the money for a memorial, that their memory has not been lost. I hope one day that the cemetery can be taken back, and turned into a real garden of remembrance for those who passed so much of their lives here.“

Theresa Keneflick, a trustee of the charity and head of St Josephs Primary School spoke and brought a school choir who sang “True Colours” by Cindy Lauper.

The following each read a verse from Thomas Hardy’s ‘Voices from Things Growing in a Churchyard’:

Rosie Spence, relative, on behalf of her great, great, great grandfather. Allen Price from Love Me Love My Mind. Carmen Nel, NHS Clinical Practitioner. Audrey Ardern-Jones, local poet and project volunteer. Charles Wood, former Nurse at Manor Hospital and Horton Hospital. Kevin McDonnell, Friends of Horton Cemetery Trustee and lead researcher of the lives. Timothy Folkard, project volunteer.

Then voices from the Cemetery were spoken by Epsom Players representing the lives of Enid Barnet and Richard Waterer.

Dr Alana Harris explained the symbolism of the ribbons everyone had tied for the day to the fence near the Cemetery.

Rev Nick Parish and Judith Mitchell (St Martin’s Church of England); Fr Stephen O’Brien (St Joseph’s Catholic Church); Pastor Josh Selfe (Epsom Methodist Church); Clerk Frances Touch (Epsom Quakers) said in unison:

“We are gathered to remember these 9000 souls who lived and died in Epsom – to
remember them and to make representations that they might have dignity and rest in their death.

To everything there is a season and a time for every purpose on earth. A time to be born and a time to die; a time to plant and a time to pluck up that which is planted. A time to heal, a time to break down and a time to build up.

We affirm our mutual commitment to honour the residents of Horton Cemetery and to work for their memorialisation. Amen.”

Finally a trumpet solo ‘Marking the Unmarked’ – was performed by its composer Erin Symonds.

The gathering then followed Scots Piper Bob Ash to the former Horton Chapel where a Memorial Garden of the ceramic flowers was unveiled. The audience was addressed by Patron of The Friends of Horton Cemetery, Baroness Sheila Hollins, who once worked in the St Ebbas Hospital in Hook Road, Epsom. Dr Harris concluded speeches with an overview of the project and its significance and meaning.

‘In Memoriam’ a film created by Cameron Cook, Jack Daly and Mica Schlosser of Kings College simply rolled the 9000 names to suitable music. The audience was spellbound.

Company Concentric performed a dance ‘Garden Unlocked’ and led the audience to the Memorial Garden unveiling. This involved the planting of final flowers within the Forget Me Not installation by Sue Littleboy planting for James Poppelwell (great grandad, 1867-1914, d.Long Grove, grave b977); Nari Fairbanks (by proxy as resident in NT, Australia) – planting for Charles Holdgate (great, great, great uncle, 1854-1932, d. Long Grove, grave 1105a); Iveta Goddard – creator of the ceramic flowers used in the memorial garden and Lauren of St Joseph’s Catholic Primary School.

Joining the 200-odd strong audience beside Horton Cemetery were Liberal Democrat PPC Helen Maguire, Chair of Epsom and Ewell Labour Party Mark Todd and Gina Miller the True and Fair Party PPC for the constituency. And as ever on her push-bike, Cllr. Alison Kelly (LibDem Stamford) and Janice Baker a leader of the local Green Party. Two Residents Association Councillors appeared including Cllr Phil Neale (Cuddington Ward) and another.

9000 patients of Epsom’s cluster of now closed psychiatric hospitals were buried between 1899 and 1955 in a now abandoned Cemetery. The Friends of Horton Cemetery are writing their life stories and seeking to reclaim the five neglected acres from a property speculator.

The Horton Cemetery is located between Horton Lane and Hook Road, Epsom.

On 10th October 2023 from 1.00pm The Mayor Cllr Robert Geleit (Labour Court Ward) and Mayoress of Epsom and Ewell will lead councillors, Aldermen of the Borough and the public in commemorating the lives of the 9000. The commemoration will begin beside the Horton Cemetery. Parking is open in the Hook Road Arena. Ceremonies will start at 1.00pm so the public is advised to park no later than 12.45 to allow time for the walk.

If you intend to attend the event you are requested to complete this simple online RSVP form.

If you are attending you should read the advice of The Friends of Horton Cemetery on the ground conditions and lengths of walks involved. Click HERE.

Here is a taster of just one of the hundreds of life stories written by the volunteer team of the Friends of Horton Cemetery charity. Steve Johnson, one of the research team leaders, delved into the extraordinary story of a Polish aristocrat who’s family’s lives were upturned in the Russian Revolution of 1917.

Felicja Staszewicz, daughter of Aleksander Skirmunt and Teofila Skirmunt (née Lubańska) was born c1873 – the seventh of nine children – at the family country estate of Porzecza, Piński (now Belarus), the family having retained its Polish heritage despite the partition of Poland in 1795.

At the outbreak of the Russian Revolution in 1917, Felicja and Piotr, together with their family, moved to Vilnius where they remained until the end of WW1. Tragically, Marta-Karolina committed suicide at the outbreak of the revolution.

It is unclear where Felicja and Piotr moved to after WW1, but Piotr died in 1929, and by 1939 we find Felicja living in Teklinopol (her country estate near Vilnius which she had inherited from her mother) with her youngest daughter, Matylda, who had moved there in 1923 after her marriage to Jan Myślinski (also from a notable family that traces back to 1670).

On the 17th September 1939 the Russian army crossed the border and Felicja and Matylda, together with her two young daughters, Janina and Jolanta, were forced out of their home and moved to the nearby village of Wilejka.

On the 13th April 1940, in the middle of the night, the family were arrested and, together with thousands of others, taken by cattle train into Russia as slave labour. Two of Felicja’s sons, Aleksander and Jan Leon were taken by the Russians and were amongst the mass murder of thousands massacred in the forests of Katyń.

Read the full story HERE on www.hortoncemetery.org

Bourne Hall in Ewell is hosting a celebration of local history on Saturday 16 September. Ewell History Day will take visitors on a journey from the Bronze Age up to World War II.

The public will be able to see blacksmith Dr James Dilly cast a bronze axe head, watch as Iron Age folk make offerings to their gods in Bourne Hall lake, witness a gladiator fight, meet Henry VIII, try their hands at some brass rubbing, learn about the Ewell witch and listen to wartime stories from the Hampshire Regiment.

Councillor Clive Woodbridge, Chair of Epsom & Ewell Borough Council’s Community and Wellbeing Committee, said, “Last year’s Ewell History Day was sadly cancelled following the death of Her Majesty Queen Elizabeth II, so I am pleased to see it return this year.

“What better way to learn about the interesting and varied history of this area, than to see it come to life before your eyes? It’s sure to be a fun day out for all the family.”

The Programme:

Ewell History Day runs from 10am to 5pm, and entry is free.

The Flying Saucer Café will be open for refreshments.

The White House, located at 16 Waterloo Road, Epsom, nestled between Blacks Burgers and Nandos, is a Grade II listed building that dates back to the early 1700s. Recently, it has undergone a beautiful restoration in preparation for an exciting new phase in its rich history.

The new owner has successfully preserved the building’s charm and character, while modernizing its internal features to create comfortable and contemporary treatment and therapy spaces. The White House is transformed into a Health and Wellness Centre, where professionals with various skills can utilize rooms once occupied by two historically significant individuals, as confirmed by the plaque on the building’s front, visible from the pathway.

Around 1800, Prince George and Mrs. Fitzherbert resided in the same building now known as The White House. However, the question arises: What became of Princess Caroline, the woman Prince George married just five years earlier, and why is her name absent from the plaque?

While King George III led a scandal-free life, the same cannot be said for his son, Prince George, who lived an extravagant lifestyle characterized by heavy drinking and entertaining mistresses. Burdened by mounting debts, Prince George sought financial assistance from his father, who agreed to help him under the condition that Prince George marry his cousin, Princess Caroline of Brunswick.

Although Prince George had previously secretly married the twice-widowed Maria Anne Fitzherbert, this marriage was invalid because King George III had not consented to it. On April 8, 1795, Prince George married Princess Caroline at the Chapel Royal, St. James’s Palace. However, the couple proved incompatible despite Caroline giving birth to Princess Charlotte, George’s only legitimate child, just nine months after their wedding ceremony.

Upon their first meeting, Prince George called for a glass of brandy, while Princess Caroline commented on how much thinner and more handsome George appeared in the portrait she had seen of him. Prince George found his wife unattractive and “unhygienic” and could not bear to have intimate relations with her (he ensured he was drunk on the night of their wedding). Princess Caroline, on the other hand, was beloved by the public, who generally despised her husband, “the Prince of Pleasure,” due to his continuous overindulgence and accumulating debts.

On January 29, 1820, George ascended to the throne as King of the United Kingdom and Hanover, with Caroline becoming Queen Consort in name. George sought a divorce from Caroline but couldn’t obtain one due to the weak evidence against her. This was partly because Caroline was held in high regard by the public, who viewed George’s conduct as immoral.

Caroline was barred from attending King George IV’s coronation on July 19, 1821, and subsequently fell ill in London. Tragically, she passed away three weeks after the coronation she had not been allowed to attend. Her funeral procession moved slowly through London en route to Brunswick, where she was laid to rest. This allowed George to continue his romantic attachment to Maria Fitzherbert and entertain other mistresses.

The brass medallion, which I purchased a few years ago at Oxfam in Epsom High Street, likely belonged to one of Queen Caroline’s supporters before her death. It resembles a miniature portrait, much like the one of Prince George shown above. “Caroline Queen of England” is inscribed around the perimeter of the medallion, featuring a bust of King George IV’s lawful wife.

The brass medallion serves as a poignant reminder of how poorly Queen Caroline was treated by her husband, King George IV, and underscores the ongoing need to ensure that women from all cultures and walks of life are shown respect and treated fairly in today’s modern society.

Fairground enthusiast, Philip Bradley of Ewell, spent his life compiling a written and photographic record of every fair he visited from 1936 until his death in 1999. He amassed 30,000 photographs of fairs across the country and was highly regarded by showmen and fairground people. His collection, held at Surrey History Centre, is of national importance, providing an invaluable history of twentieth century fairgrounds (SHC ref 6790). You can find out more about Philip Bradley and his archive on the Exploring Surrey’s Past website

The top image shows a superb shot taken by Bradley of Elias Harris’ Wall of Death ride, ‘The Demon Riders’, at Lindfield Fair, 1949.

We all remember the fun and excitement of going to fair – the thrilling rides, the sights and sounds of fairground machinery, eating too much candyfloss, and the tears and tantrums at not being able to win a cuddly toy on the coconut shy! If you’re interested in researching fairgrounds in Surrey, or just want a trip down ‘Memory Lane’, look no further than our Exploring Surrey’s Past website ‘Fairgrounds in Surrey’ theme pages to discover all about fairs in the county and the sources we hold here Fairgrounds in Surrey (exploringsurreyspast.org.uk).

Click here for the full newsletter from Surrey History Centre

Bramshott House in Epsom’s Market Place is a late 17^th century, Grade II listed building that was built to provide accommodation for the rich and famous of the period who wanted to visit Epsom and its well to sample its famous waters.

Now better known as the premises of Caffe Nero, Bramshott House displays a plaque reminding coffee lovers that a very special royal visitor used to be invited back to the building by a woman for a coffee as long ago as 1670.

The woman in question had a lively personality that attracted many men, the most notable being a King.

Called “pretty, witty Nell” by Samuel Pepys who praised her performances as one of the first actresses on the English stage, Eleanor (“Nell”) Gwynne rose from humble beginnings to become best known for being the favourite mistress of King Charles II, with whom she would go on to have two sons.

Having previously been the mistress of Charles Hart and Charles Sackville, Nell jokingly called the King “her Charles the Third“.

The love affair between King Charles II and Nell Gwynne began in April 1668 when Nell was attending a performance at the theatre in Lincoln’s Inn Fields and caught the attention of the King who preferred to flirt with Nell than watch the play (King Charles II never made any attempt to keep the affair a secret).

Samuel Pepys knew Epsom well and confirmed in his diary entry for 14 July 1667 that Nell Gwynne was in residence at what we now call Bramshott House where she helped “keep a merry house”.  Nell lived in two little bay-windowed rooms overlooking the street, one of which was used as a bedroom and the other as a sitting room. 

When Nell Gwynne entertained King Charles II, the King’s court would stay in Epsom’s Assembly Rooms (now occupied by Wetherspoons).

King Charles II died on 6 February 1685, but whilst on his deathbed made known his deep affection for “pretty, witty Nell” when instructing his brother, James II, “let not poor Nelly starve”. 

Sadly, the two bay windows that Nell Gwynne used to look out of and the balcony she used to sit on, no longer form part of Bramshott House, but the plaques on the building and the King Charles II cast iron fire-back that that I purchased from The Princess Alice Hospice charity shop in Church Street in Epsom a few years ago help to remind us of a rags to royalty true-life story not unlike that of Cinderella that was acted out opposite the site of today’s Epsom’s Clock Tower by one of England’s earliest female actors.

Next time you order a coffee at Caffe Nero spare a thought for “pretty, witty Nell” who won the heart of a King, if not that of some unforgiving past historians.