Historic buildings, forgotten stories and rarely seen corners of Surrey will be brought to life when Heritage Open Days return from Friday 11th to Sunday 20th September.

The annual festival offers free access to historic places, guided walks, exhibitions and talks. This year’s theme, “Everyday Histories”, celebrates the lives, work and experiences of people whose stories may not always feature in traditional accounts of the past.

Among the many events taking place across Surrey are a dozen opportunities to explore the heritage of Epsom and Ewell, ranging from the history of the borough’s spa and racecourse to Ewell’s buildings, local currency and the lives of thousands of patients once treated in Epsom’s psychiatric hospitals.

Remembering the 9,000 at Horton Cemetery

A particular focus of the local programme will be Horton Cemetery – 9,000 People Remembered, taking place on Saturday 12th September from 10am to 4pm.

Around 9,000 former patients of Epsom’s cluster of five psychiatric hospitals were buried in Horton Cemetery between 1899 and 1955. Most lie in unmarked graves and, for decades, their individual identities and life stories were largely forgotten.

The Friends of Horton Cemetery have been working to restore those identities through historical and family research. Visitors will be able to meet researchers and volunteers, explore displays, listen to audio material and learn about some of the people buried there.

The event will be held on land adjacent to the cemetery in Hook Road. The cemetery itself remains inaccessible, but free parking will be available close to the event. Admission is free and advance booking is not required, although the organisers expect the site to become busier later in the day.

A linked event, The History of Horton Asylum and Horton Cemetery, will run at The Horton Arts Centre in Haven Way from 10am to 4pm on the same day.

The Grade II-listed arts centre occupies the former chapel of Horton Hospital. Its exhibitions, presentations and tours will examine the history of Epsom’s five psychiatric hospitals and the lives of the patients and staff who lived and worked within them. Researchers will also be available to help visitors investigate possible family connections.

Local events across the ten days

The borough’s programme begins on Friday 11th September, when St Martin of Tours Church in Church Street, Epsom, will open from 9.30am to 1pm. The parish church will also be open on most days during the festival:

• Saturday 12th September, 10am to 5pm
• Sunday 13th September, noon to 6pm
• Monday 14th to Friday 18th September, 9.30am to 1pm
• Sunday 20th September, noon to 6pm

On Sunday 13th September, a guided Epsom Salts and Spa Walk will leave the historic Assembly Rooms in the High Street at 11am. The walk will explore how Epsom’s mineral waters transformed the town into a fashionable spa destination. Advance booking is required.

Ewell Court House, in Ewell Court Avenue, will welcome visitors between 10am and 2pm that day, offering an opportunity to discover more about the history and architecture of the house. No booking is required.

Also on Sunday, the Service Wing Museum at Nonsuch Park will open from noon until 4pm. The museum occupies part of the surviving service wing of the former Nonsuch Mansion and contains displays relating to the history of the estate and the lost Tudor Palace of Nonsuch. Admission is free without advance booking.

Bourne Hall will host Everyday Histories in Worcester Park from the Iron Age to the Computer Age at 2pm on Monday 14th September. The talk will follow the development of the area through archaeological discoveries, changing communities and more recent technological history. Booking is required.

On Tuesday 15th September, former professional jockey Caroline Baldock will lead Life on the Downs, a guided walk around the Derby course at Epsom Downs Racecourse. The walk begins at 10am and is expected to last approximately 90 minutes. Places are limited and must be booked in advance.

Lost Buildings of Epsom will be the subject of a talk at Bourne Hall at 2pm on Wednesday 16th September. It will recall notable local buildings that have disappeared through redevelopment, demolition or changing uses. Advance booking is required.

Two events follow on Thursday 17th September. Ewell Village, People and Places is a guided walk leaving Bourne Hall at 10am, while Token Coins in Ewell and Epsom, at Bourne Hall Museum at 2pm, will explore the tokens issued by local traders when official coinage was in short supply. Both events require booking.

The local programme concludes on Saturday 19th September when Ewell Castle School opens its doors to visitors from noon until 3pm. The school is celebrating its centenary, having been founded in 1926 when H R Budgell acquired the Castle and opened a school for an initial intake of 40 boys. Advance booking is required.

All Heritage Open Days events are free, but capacity is limited for several of the guided walks and talks. Visitors should book promptly where required and check the individual listings before travelling, as arrangements can change.

The full Surrey Heritage Open Days programme and event search provides details of events across the county, including opening times, accessibility information and booking arrangements.

Sam Jones – Reporter

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Related reports:

Back Epsom’s Horton Cemetery history heroes in national vote

500 patients buried in Epsom’s asylum cemetery no longer forgotten

Friends of Horton Cemetery influence law reform

Epsom’s Horton Cemetery gets attention of two kinds

Attic find fills gap in Epsom local asylum history

Petition to reclaim Horton Cemetery from property speculator

Bringing centuries of Surrey records into the 21st century

Residents, researchers and history enthusiasts will soon find it easier than ever to explore Surrey’s rich heritage thanks to a major investment in a new collections management system at the Surrey History Centre, by Surrey County Council.

Home to Surrey’s archives, Surrey History Centre, with accredited status by The National Archives, cares for an extraordinary collection spanning more than 900 years of history. Its six miles of shelving contain around six million documents, manuscripts and parchment records dating back to the Middle Ages.

The collection includes family and house history records such as parish registers, census returns, civil registration records, poor law records, electoral registers and manorial records. It also houses thousands of historic photographs, postcards, watercolours, engravings and archive films, alongside local history books, directories, newspapers, periodicals and historic maps.

Among its treasured special collections are records and papers connected to notable Surrey figures and businesses, including Lewis Carroll, renowned garden designer Gertrude Jekyll and the Broadwood piano family.

Managing and preserving such an extensive collection is a significant undertaking. The introduction of the new collections management system will transform how people discover and access Surrey’s archives, making searches faster, more intuitive and more comprehensive.

The improved online catalogue will be available Monday 14 September and provide an improved user experience, helping users quickly locate the records and documents they need. Documents can then be ordered up from home in advance of their visit to the Surrey History Centre.

Councillor Mark Nuti, Surrey County Council Cabinet Member for Health and Communities, said: “Our archives tell the story of Surrey and the people who have lived, worked and shaped our county over hundreds of years. By investing in modern technology, we are helping to ensure these invaluable records can continue to be discovered, explored and enjoyed by future generations.

“This is about investing in the future to gain access to the past. The new collections management system will make it easier for residents, family historians and researchers to explore Surrey’s rich heritage, with improved search functionality and the ability to request documents before visiting the Surrey History Centre. These improvements will help people plan their research more effectively and make the most of their time with us, while encouraging even more people to discover the fascinating stories held within Surrey’s archives.”

The investment forms part of Surrey County Council’s commitment to preserving the county’s heritage while making public services more accessible and user-friendly through digital innovation.

For more information about the Surrey History Centre and its collections, visit: Surrey History Centre – Surrey County Council

Surrey County Council

Image: John Speed – 1610 – Map of Surrey (including Nonsuch Palace) Lawrence Ruderman Antique Maps, Inc. raremaps.com. public domain

One of Surrey’s most important buildings, and the UK’s ‘first and only’ craft museum, is to host a special event  to show off the vital restoration work going into saving the historic Grade I site.

Wilmer House in Farnham was allowed to fall into disrepair, but in March 2023 benefited from £700,000 in Arts Council funding to carry out essential repairs to its Georgian home in West Street.

It was soon discovered that the problems ran much deeper and a further £700,000 was needed to repair decaying brickwork, collapsing windows, and eroded mortar joints, as well as the visible cracking throughout.

Waverley Borough Council, which has a legal duty to maintain the building, has stepped in to fill the funding gap but, to rally support within the community for the project, is hosting an open day at the Farnham Museum.

Councillor Kika Mirylees, Waverley Borough Council’s community services portfolio holder, said: “Willmer House is a building of enormous historical and cultural significance to Farnham. 

“We are delighted to invite residents to join us for what promises to be a fascinating evening of discussion and discovery.

“The event offers a unique opportunity to hear directly from experts involved in heritage conservation and to learn more about the exciting restoration plans for this much-loved landmark.”

The free event is part of the council’s “every brick counts” campaign that offers residents the opportunity to contribute to the preservation.

The council said the building uses gauged brickwork, one of the most expensive building methods often seen on the finest buildings around the world.

The free open event takes place on Monday September 14 2026 and will be hosted jointly by the council and The Farnham Society from 7.30pm to 9pm.

It will feature a panel including representatives from Arts Council England, The National Lottery Heritage Fund, conservation consultant Graham Abrey, historic brick conservator Emma Simpson MBE, and local historian and author Dr Roy Waight.  

Simon Bradbury, vice chairman of The Farnham Society, said: “The Farnham Society has been campaigning to preserve Farnham’s heritage since 1911.

“Willmer House, as a Georgian town house, is an important part of that heritage. 

“Coming out of the wealth generated from the hop trade, Willmer House is a Grade I listed building, noted in particular for its brickwork, rated as one of the finest examples of Georgian brickwork in the country.”

The event is free to attend, but places should be booked in advance. 

Chris Caulfield Local Democracy Reporter

Related reports:

Farnham Museum repairs hitting £2M

Image: Wilmer House, West Street, Farnham (image WBC)

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Rare posters from Ewell Technical College (today’s NESCOT) concerts featuring Nick Drake, Genesis, Black Sabbath and Led Zeppelin are among more than 300 pieces of music memorabilia being auctioned from the collection of industry veteran Lindsay Brown.

A remarkable collection chronicling both Ewell’s place in British rock history and one man’s five-decade career in the music industry is to be sold at auction next month.

More than 300 posters, records, autographs, backstage passes and other pieces assembled by Lindsay Brown will go under the hammer at Omega Auctions in Merseyside on Tuesday 15th September.

Mr Brown began his music industry career in 1969 as social secretary at Ewell Technical College – now part of Nescot – where he helped bring emerging and established performers to the college.

The venue hosted concerts by artists including Deep Purple, Black Sabbath, Caravan, Taste, Genesis, Nick Drake and Atomic Rooster. Other celebrated acts associated with the college’s musical heyday included Led Zeppelin, King Crimson and Queen.

“It was a thrilling time to be involved in music,” Mr Brown told the Epsom and Ewell Times. “The great artists of the day were available for all to see. Hendrix, The Doors and Led Zeppelin, to name but a few.

“New artists were emerging all the time, some of which were booked to support at Ewell – Genesis, Black Sabbath, King Crimson, Queen and the now legendary Nick Drake.”

Mr Brown said the college became an important stop on the national concert circuit because successive social secretaries and entertainment committee members were adept both at securing major performers and identifying artists with the potential to become stars.

The college was also well placed near venues including the Toby Jug in Tolworth and the Fox Club in Croydon, with London’s music clubs within easy reach.

“Many managers and agents would offer their talent and new signings for support slots at Ewell,” he recalled.

Among the most valuable lots is an exceptionally rare poster advertising an Ewell Technical College concert by Atomic Rooster, Genesis and Nick Drake on 24th January 1970. It is expected to sell for more than £5,000.

Posters featuring Drake are particularly scarce because of his reluctance to perform live. The auction house believes the Ewell poster may be the first example of its kind to reach the open market.

Another lot is a small poster advertising what is described as the final public concert of Drake’s career, held at Ewell Technical College on 25th June 1970. It has an estimated value of more than £2,000.

A red-and-gold poster by artist David Arnott, produced for a college performance by Black Sabbath supporting Caravan, is expected to fetch more than £1,000. An Arnott poster for Deep Purple’s appearance at Ewell Tech on 18th April 1970 is being offered together with a ticket from the concert.

A framed 1968 Ewell Technical College poster originally advertising The Yardbirds is also expected to attract considerable interest. Following changes to the group, the concert instead featured an early incarnation of Led Zeppelin before a reported audience of just 150 people. The poster is estimated to sell for more than £2,000.

Mr Brown retains especially fond memories of concerts by Led Zeppelin, Deep Purple and Taste, although he said Caravan – which appeared at Ewell on several occasions – was the venue’s most successful act.

“Seeing a very early King Crimson concert was a real privilege,” he added.

After leaving Ewell Tech, Mr Brown went on to hold senior positions at Red Bus, MAM, Rock Exchange, Polydor and Eagle Rock Entertainment. As managing director of Eagle Rock, he signed The Rolling Stones for visual rights.

Across his career he worked with artists including Kate Bush, Elvis Costello, Barclay James Harvest, Dr Feelgood, 10cc, The Cure, Van Morrison, Björk, Alice Cooper, Queen, Jeff Beck and Simple Minds.

The wider collection reflects those associations. It includes authenticated Beatles autographs expected to fetch more than £3,000; a Fender Telecaster signed by Keith Richards; Rolling Stones autographs including that of Brian Jones; a 1969 Woodstock ticket; and Kate Bush tour posters, clothing, passes and merchandise.

A Queen collection relating to the band’s 1976 Hyde Park concert includes autographs, a framed show flyer and a map of the band’s route formerly owned by their driver. It is valued at more than £3,000.

Also for sale is a three-foot-high poster for the New York Dolls’ first UK performance at the Rainbow Room at Biba in November 1973 – a concert attended by figures who would later help shape British punk.

A 1969 flyer for the Toby Jug Blues Club in Tolworth features Led Zeppelin’s name misspelt and is valued at more than £500.

Although Mr Brown is parting with most of the collection, he has retained six particularly personal pieces. These include a poster from his farewell Caravan show at Ewell in 1970, a set of Rolling Stones autographs, a Kate Bush tour poster, a Barclay James Harvest gold disc and sales plaque, and a poster personally dedicated to him by Jeff Beck.

“It’s sad to see the collection go, but I am thrilled by the continued worldwide interest in Ewell Tech’s heritage, told through its posters, many of which were designed by the Redhill artist David Arnott,” he said.

“Knowing these posters are going to good homes is very gratifying and lets the story continue to survive.”

He believes collectors have an important role in protecting evidence of performances and events which could otherwise disappear from public memory.

“Without people keeping what might seem at the time inconsequential – tickets, stubs, flyers and so on – many of these shows would be completely forgotten in future years.”

The collection, entitled “Time Has Told Me – 50 Years in Music”, will be auctioned by Omega Auctions on Tuesday 15th September, with a public preview on Monday 14th September. The catalogue and bidding details are available from www.omegaauctions.co.uk.

1968 – 1971 Ewell Tech. Gig List – click here

Julie Kapsalis, CEO of NESCOT, responded to this story and told the Epsom and Ewell Times: “Music continues to be an important part of Nescot. The Entitled Sons played a gig at the college last year and Bazil Meade ran a masterclass on gospel music. Our music department also trains young people to enter the sector and this year they showcased their talents on the community stage at The Epsom Derby Festival. We now have a DJ club and college bands who regularly perform at college and external venues.”

Lionel Blackman

Epsom and Ewell acknowledges with thanks the main contributions and research undertaken by Faye Blaylock of www.jvpublicity.com for this article

Photo: The band Barclay James Harvest with Lindsay Brown: Left to right: Wooly Wolstenholme, John Lees, Lindsay Brown, Les Holroyd, Mel Pritchard

Related report:

When the Rolling Stones rolled into Epsom — twice

Epsom and Ewell (and beyond) residents are being urged to get behind the local Friends of Horton Cemetery after the charity was shortlisted for a national award celebrating the volunteers who rescue the stories of ordinary people from obscurity.

The Friends are among 24 organisations selected from across England for Findmypast and Heritage Open Days’ first “Everyday History Heroes” awards, with its place in the regional South-East final short-list of three.

Historian and broadcaster David Olusoga is supporting the campaign, which recognises historic and cultural organisations that preserve the stories of people frequently overlooked by conventional history.

A national winner and seven regional winners will be chosen by public vote. Regional winners will receive £1,000 to support their work.

Olusoga is quoted in a BBC news article as saying: “Horton Cemetery was a remarkable example of everyday history.” Adding “More than 9,000 people who died as patients in Epsom’s psychiatric hospitals were buried there, many in unmarked graves, and for decades their stories were largely forgotten.”

He said: “The Friends of Horton Cemetery have been restoring dignity and remembrance to thousands of people who were too often overlooked in their own lifetimes”.

The Epsom & Ewell Times makes no pretence of neutrality in this contest: our vote belongs to the Friends of Horton Cemetery—and we hope our readers will add theirs.

Between 1899 and 1955, about 9,000 people were buried at Horton Cemetery. Each had been a patient at one of the five mental health hospitals forming the Epsom Cluster.

Their graves are now unmarked. The privately owned cemetery has been neglected for decades and remains inaccessible to the public.

Against that unpromising background, the Friends’ volunteer researchers have painstakingly rebuilt the lives of those buried there from hospital, census, military, family and other historical records. More than 500 individual life stories have already been researched, written and published.

The result is much more than a list of names and dates. The research restores identities to people whose lives were often obscured by the stigma once attached to mental illness and institutional care.

Those remembered include war veterans, mothers, labourers, domestic servants and children. Many experienced poverty, bereavement, illness or family separation before entering one of Epsom’s hospitals. Their stories collectively illuminate a neglected chapter of the borough’s history—and of Britain’s changing treatment of mental ill-health.

Explaining its nomination, charity trustee Theresa Keneflick said: “We’re proud that this nomination recognises the work of our researchers and volunteers for all that they do to ensure the lives of the 9,000 are remembered.”

The award was created by family-history website Findmypast in partnership with Heritage Open Days. Its purpose is to honour grassroots organisations telling the histories of the ordinary people and communities who worked, struggled, campaigned and helped to build modern Britain.

David Olusoga said history was not confined to the famous figures taught about in schools, but included the millions of ordinary people whose actions shaped today’s world. He encouraged the public to explore the shortlisted organisations and vote for a local “hidden gem”.

Few candidates can fit that description more literally than Horton Cemetery: an important part of Epsom’s heritage hidden behind locked boundaries, its thousands of occupants deprived of individual grave markers but no longer without voices.

Voting remains open until 31 August, with the winners due to be announced on 10 September.

Vote for the Friends of Horton Cemetery on the Findmypast South East voting page.

The Friends’ research and the stories already recovered can be explored at the Horton Cemetery website.

The Friends of Horton Cemetery host an Heritage Open Day alongside the Cemetery on Saturday 12th September.

Lionel Blackman

Hon. Sec. of The Friends of Horton Cemetery and a director Epsom and Ewell Times

Image – photo of the Cemetery from 1971

Note: The FindMyPast voting page suggests the charity has “transformed the cemetery”. This is an error we are seeking to correct. The Cemetery remains neglected in private hands with Epsom and Ewell Borough Council declining to purchase it for its restoration as a community asset.

Related reports:

500 patients buried in Epsom’s asylum cemetery no longer forgotten

Friends of Horton Cemetery influence law reform

Epsom and Ewell’s MP champions Friends of Horton Cemetery mission on “Time to Talk Day”

Epsom’s Horton Cemetery gets attention of two kinds

Epsom Council dead set against the dead?

Petition to reclaim Horton Cemetery from property speculator

Local community gathered at Horton Cemetery

Before the stadium tours, private jets and worldwide fame, five young rhythm-and-blues musicians performed on a temporary floor laid over the swimming pool at Epsom Baths Hall. More than six decades later, as the Rolling Stones celebrate another chart-topping album, local history reveals that the band visited Epsom not once, but twice.

The Rolling Stones have returned to the top of the British album chart with Foreign Tongues, released on 10 July. It is the band’s 25th studio album and their 15th to reach number one in the UK—putting them level with the Beatles and one behind record-holder Robbie Williams.

That remarkable longevity offers an opportunity to look back to two winter Saturday nights in Epsom, when Mick Jagger, Keith Richards, Brian Jones, Bill Wyman and Charlie Watts were still climbing towards stardom.

A swimming pool became a concert hall

Epsom Municipal Baths opened in East Street on 15 March 1939. The £65,000 complex had been designed from the outset to serve two very different purposes: swimming during the warmer months and public entertainment during the winter.

Its main pool was 100 feet long and 35 feet wide, with galleries seating 412 people. For dances, concerts, boxing and theatrical performances, a moveable maple floor supported by tubular scaffolding was erected over the water. A stage, lighting system, microphone and record turntable completed the transformation. The converted hall was licensed to accommodate as many as 1,396 people for music, dancing and public meetings.

It must have produced an unusual atmosphere: a rock-and-roll audience gathered on boards above the drained or concealed pool, surrounded by tiled walls, diving boards and the acoustics of a municipal swimming bath.

After the Second World War, the Baths Hall became one of Epsom’s principal social venues, hosting dances, boxing, orchestral performances and visiting entertainers. The Epsom and Ewell History Explorer describes the Rolling Stones’ 1963 engagement as a sold-out highlight for which the band received a fee of £60.

Saturday 14 December 1963

The best-documented Stones appearance took place on Saturday 14 December 1963.

“Star Rhythm Blues Time with the Rolling Stones”

The publicity picked out the band’s two records, Come On and I Wanna Be Your Man, and advertised an appearance by supporting group The Presidents, described as “that ever popular attraction”. Dancing and music were scheduled from 8pm until 11.30pm. Tickets cost five shillings and sixpence in advance or six shillings and sixpence at the door, with reduced rates offered for parties.

The instruction to “get your tickets early and avoid disappointment” proved well judged if the History Explorer’s record of a sell-out is correct.

A surviving business trail also corroborates the engagement. Christie’s has catalogued an Eric Easton Ltd performance contract for the Rolling Stones at Epsom Baths Hall among a collection of early Stones agreements covering venues in and around London during late 1963. Eric Easton was then managing the group with Andrew Loog Oldham.

The Epsom booking came at a fascinating point in the band’s ascent. They were no longer an unknown club act, but neither had they become the international institution familiar today.

On the chart dated 11 December 1963, three days before the concert, I Wanna Be Your Man stood at number 16. It moved to number 15 the following week and eventually reached number 12. Their self-titled debut album had not yet appeared; it would enter the albums chart in April 1964 and spend 12 weeks at number one.

Thus, Epsom caught the Stones in the narrow interval between their first taste of chart success and their transformation into one of Britain’s biggest bands.

Back again four weeks later

Concert chronologies reveal something overlooked in the familiar local account: the Rolling Stones returned to Epsom Baths only four weeks later, on Saturday 11 January 1964.

The second appearance is listed in detailed Stones performance records as an “extracurricular gig”—a separate engagement fitted around the band’s first major tour of 1964. Their schedule at the time was punishing. They performed two shows at Walthamstow’s Granada Theatre on 10 January, played Epsom the following evening, and then gave two more shows at the Granada in Tooting on 12 January.

They were recording at the same relentless pace. On 10 January—the day before returning to Epsom—the band worked at Regent Sound Studios on Honest I Do, I’m a King Bee and an early version of Not Fade Away, before travelling to Walthamstow for the evening performances.

Their chart fortunes were still improving. I Wanna Be Your Man was at number 15 during the week of the second Epsom appearance and rose to its number 12 peak on the chart dated 15 January.

Contemporary touring accounts estimate that the Stones travelled more than 5,000 miles during this period, playing clubs, colleges, ballrooms, cinemas and halls across Britain. The Epsom concert was one of several additional ballroom engagements squeezed between the formal package-tour performances.

No dependable set list has yet emerged for either Epsom show. The December poster establishes that Come On and I Wanna Be Your Man were central to the promotion, while the band’s contemporary touring repertoire included blues, rhythm-and-blues and Chuck Berry numbers. It would, however, be unsafe to present any reconstructed list as the exact programme heard at Epsom.

Before the world knew their names

The contrast with the present could hardly be greater.

In December 1963, the Stones were travelling from town to town, earning comparatively modest appearance fees and promoting two singles. Their audience in Epsom paid a few shillings to see them in a converted public swimming bath.

Within months, their first album would displace the Beatles’ With the Beatles at the top of the UK chart. Their first British number-one single, It’s All Over Now, followed in the summer of 1964. The tours, television appearances and scenes of mass excitement then spread far beyond Britain.

Yet the five musicians who appeared in Epsom were already the classic early Stones: Jagger at the microphone, Richards and Jones on guitars, Wyman on bass and Watts behind the drums. Brian Jones and Charlie Watts are no longer alive, while Mick Jagger and Keith Richards—then barely out of their teens—remain at the centre of a band topping the album chart in 2026.

The hall has gone, but the night remains

Epsom Baths Hall continued to host entertainment after the Stones, including a performance by Genesis in 1972. Its popularity eventually declined as alternative venues opened and leisure habits changed. The hall closed in 1989; the original baths complex was demolished in 2001 and replaced by the present Rainbow Leisure Centre.

Nothing visible at the modern centre readily tells visitors that one of the most famous bands in the world once performed there—twice—on a wooden floor constructed above the municipal pool.

What is still missing are the human memories: who queued at the Baths Hall box office, who danced at the front, what the band sounded like through the hall’s public-address system, and whether anyone kept a ticket, photograph or autograph.

Epsom and Ewell Times would be delighted to hear from readers who attended either concert—or whose parents, relatives or friends remembered the Rolling Stones’ two visits to Epsom Baths.

Epsom and Ewell History Explorer is the definitive guide to all things historical and more. Run by dedicated volunteers.

Epsom Playhouse remains one of the regions premier venues for tribute bands including rock-and-roll.

Epsom Jazz Club

brings live top-flight jazz bands to the centre of Epsom. Next season starting 24th September.

Lionel Blackman

Revd. Jonathan Boucher was the Vicar of Epsom for 20 of the last 25 years of the mediaeval church, 1785–1805.

Born in Blencago, Cumbria, into a family ruined by the Jacobite rebellion, he did however get to WIgton Grammar School and eventually taught at St Bees.

He emigrated to Virginia in 1772 at the age of 16 to teach there. He served first as a tutor to the children of plantation owner Edward Dixon, and ran a school that had as a pupil Jackie Custis, stepson of George Washington.

He returned to England to be ordained and then returned and settled in Maryland through the patronage of the Governor Sir Robert Eden. He settled in Caroline county as rector of St Mary’s Parish where he served until 1772.

He resided in Port Royal but wrote in his diary: “There was not a literary man, for aught I could find.”

He had become a personal friend of George Washington and sympathetic to the interests of the colonists. He opposed the Stamp Act and the Vestry Act. He could not support armed resistance to the king.

He was always a sturdy Royalist and once thrashed a rebel Yankee blacksmith who had insulted his king and country and this made him so unpopular that he had to return to England.

Indeed he had to hold the leader of his congregation at gunpoint to ensure his safe departure. He had been informed that if he dared pray for King George he would be fired at in his pulpit.

Nothing daunted the next Sunday the resolute man ascended the pulpit stairs armed with two horse pistols, one of which he laid on either side on his pulpit cushion; with this preamble he preached what has become known as his “Farewell Sermon”.

In an unflinching sermon, on Nehemiah 6,10-11, he ended with this stinging passage.

“Unless I forbear praying for the king I have been notified that I am to pray no longer. No intimation could be more distressing to me; but I do not require a moment’s hesitation distressing as the dilemma is. Entertaining my respect for my ordination vow, I am firm in my Resolution, whilst I pray in public at all, to conform to the unmutilated Liturgy of my Church and reverencing the injunctions of the Apostle ‘I will pray for the king and all who are in authority under him as long as I live’. Yea while I have my being, I will, with Zadok, the priest and Nathan, the prophet, proclaim GOD SAVE THE KING”

The Americans had no heart to fire at so bold and honest a man and Jonathan Boucher descended his pulpit stairs unharmed.

On September 10, 1775 Revd. Boucher and his wife amidst tears and cries of their slaves, went aboard the ship “Nell Goynne” and sailed for England, where he received a government pension.

No longer living a life of ease and affluence he was at first supported by William Stevens and Friends.

Wm Stevens was it was ten years later, through the good offices of Revd. J. Parkhurst, another member of Stevens’ circle, he was appointed Vicar of Epsom in 1785.

While serving here in Epsom he gained a reputation as a writer and scholar and acquired a reputation as one of the finest preachers of his day.

He made substantial contributions to William Hutchinson’s “History of the County of Cumberland” (1794) his home county and where he was educated and had his first teaching post in St Bees.

St Bees School is on the Cumbrian coast below Whitehaven. Interestingly, in the American Revolutionary War, Whitehaven was raided by John Paul Jones the well known United States naval commander.

According to some this attack, in 1778, was the very last invasion of England.

He went on to write “A view of the Causes and Consequences of the American Revolution in thirteen discourses preached in North America between the years 1763 and 1775 which he dedicated to George Washington published in 1797, as well as “a Glossary of Provincial and Archaic Words, which was later used by the compilers of Webster’s Dictionary, and “Reminiscences of and American Loyalist” published in the 1870’s.

A magisterial biography and appreciation of his role in the revolution by Anne Young Zimmer “Jonathan Boucher: Moderate Loyalist and Public Man” (1966). In a Wayne State University Dissertation can be found on the internet

In 1786 Boucher wrote to make a proposal of marriage to Miss Mary Elizabeth Foreman a lady of about his own age (48) who had devoted herself to looking after two sick and elderly maiden aunts recently deceased.

She accepted the offer and, in anticipation of their union, Jonathan rented from Northey a large house on Woodcote Green [Woodcote House] for £100 p.a., purchased a coach and four horses, hired seven servants etc to set up an establishment in a “dear but genteel neighbourhood”.

Sadly, she, his second wife, survived only until 17 September1788.

Following her demise, Boucher had spent months away in Cumberland adding to his real estate at Blencogo but seems to have returned in December 1788 to a ‘melancholy and uncomfortable home…at the Vicarage – extremely inconvenient and quite too small especially for the books (he had ten thousand of them according to White and Hart, many collected for an improved edition of Dr. Johnson’s English Dictionary), whilst impossible to be enlarged and improved at any reasonable expense’.

He decided to purchase ‘a good house with about 5 acres of land on Clay-Hill’ although distant from the church and with an unsatisfactory water supply: alterations to provide rooms for a library were not completed until July 1789.

Consequently, when Edwards conducted a survey for his COMPANION FROM LONDON TO BRIGHTHELMSTON the vicarage house was occupied by ‘Miss Boucher’, the Vicar’s daughter.

Jonathan Boucher continued vicar of Epsom until his death in 1804.

Howard Bluett

Image credits and licence: https://creativecommons.org/licenses/by-sa/2.0/ St Martins as it is today not as in Boucher’s time. Hugh Craddock. Portrait superimposed.

A remarkable hand-coloured plan of Epsom Racecourse dating from 1848 has been rescued from severe deterioration following an extensive conservation project.

The historic document, which provides a detailed record of the racecourse in the mid-19th century, had reached a fragile state. Conservators warned that without intervention valuable information about the history and development of the course could have been lost forever.

A Race Against Time

The plan was prioritised for treatment because of its worsening condition and the fact that much of its detail had become obscured beneath a darkened varnish layer.

Conservators found the document had suffered from multiple forms of damage over the years.

The paper itself was made from machine-produced wood pulp, which is naturally acidic and becomes increasingly brittle as the fibres deteriorate. At some point the plan had been mounted on a linen backing using starch paste, but the paper had begun separating from the fabric. In places, fragments had broken away altogether.

Evidence also suggested the document had previously been stored in damp conditions, leaving mould staining across parts of the surface.

Further damage had been caused by the way the map had originally been displayed. Wooden poles had been attached using nails driven through the paper, leaving rust stains and tears, particularly along the upper edge.

Perhaps most significantly, the entire plan had been coated in a thick glossy varnish which had darkened dramatically over time, concealing much of the image beneath.

Delicate Conservation Work

The first stage of treatment involved removing the remaining wooden pole to prevent further damage during handling.

Conservators then carefully detached the mould-stained linen backing before carrying out extensive surface cleaning on both sides of the document. Throughout the process the plan was supported on woven polyester sheeting to ensure that loose fragments remained safely in place.

Attention then turned to the dark varnish coating.

Specialist tests were undertaken using a range of solvents to identify the safest and most effective method of removal. Once a suitable solvent had been selected, conservators worked section by section to lift the varnish without harming the original inks and pigments.

Using a Japanese paper barrier and a solvent gel, the varnish was gradually drawn away from the surface and transferred onto the paper layer.

The process was compared by conservators to waxing, with the Japanese paper peeled away carrying the dissolved varnish with it.

As the treatment progressed, details hidden for decades began to reappear.

Although some staining remained embedded deep within the paper fibres, the plan’s image and written information became visible once again, making the document accessible for the first time in many years.

Washing and Stabilisation

Following varnish removal, the plan underwent a careful washing process designed to remove any remaining residues.

Once the rinse water ran clear, the paper was treated with a mild alkaline solution to neutralise acidity and slow future deterioration.

The document was then lined with a specially selected Japanese paper backing. Favoured by conservators for its purity, flexibility and exceptional strength, Japanese paper provides long-term support while remaining lightweight and unobtrusive.

After several days of drying, missing sections of the original document were filled using handmade paper closely matched in tone and thickness.

Conservators emphasised that the work followed established conservation principles rather than restoration. Repairs remain visible and distinguishable from the original material, ensuring future researchers can identify what is original and what has been added.

All treatments are reversible, with wheat starch paste used as the adhesive. Bleaching treatments, which can brighten paper but may accelerate deterioration over time, were deliberately avoided.

Preserved for Future Generations

Once fully dried, trimmed and stabilised, the restored plan was placed within an archival polyester sleeve and transferred to environmentally controlled strongroom storage.

The conservation team believes that without intervention the plan would have continued to darken, weaken and eventually disintegrate.

Instead, this important piece of Epsom’s racing heritage has been secured for future generations, preserving a unique snapshot of the racecourse as it appeared nearly 180 years ago.

The conservation project not only saved the physical document but also revealed historical information that had been hidden beneath layers of damage and ageing for many decades.

Surrey County Council– History Centre

For more news from Surrey History Centre READ HERE

A team of researchers volunteering for the local charity The Friends of Horton Cemetery have reached a milestone in their quest to write the histories of 9000 patients buried in the abandoned privately owned Horton Cemetery. The cemetery, reputed to be the largest asylum cemetery in Europe, is situated at the junction of Hook Road and Horton Lane. The story of Marjorie is the 500th published on the charity’s website

A discarded headstone rescued from a skip more than forty years ago led researchers to uncover the poignant story of a young woman buried at Horton Cemetery — and reconnect her memory with living family members.

Before the cemetery was sold by the NHS in 983 to a property speculator, notices appeared in the local press informing relatives that they could reclaim the headstones of loved ones buried there. Families were warned that any memorials left behind would be destroyed.

At the time, an electrical engineer working on a project within the former Epsom hospital cluster discovered one such stone which had been thrown into a skip. Appalled at what he later described as a “blatant disregard” for somebody’s final resting place, he rescued the memorial and took it home for safekeeping.

Today, the headstone remains carefully preserved, with the hope that one day it may be returned to the cemetery where it was originally intended to stand in perpetuity.

The inscription reads simply:

Marjorie Young
14th September 1948
Aged 27 years
R.I.P.

As researchers from the Friends of Horton Cemetery began investigating Marjorie’s life, they were astonished to discover that a relative was still alive and able to shed light on her tragic story.

The relative, whose mother was Marjorie’s first cousin, said: “Your message is a welcome bolt from the blue. I can’t believe that after all these years somebody is interested in Marjorie. I didn’t know her but my mother so often talked about her. My mother died in 2015 but she still had nightmares about the life Marjorie led.”

His words underline one of the central aims of the Friends of Horton Cemetery — ensuring that those buried in the former asylum cemetery are not forgotten.

Research into burial records revealed another heartbreaking detail. The cemetery register records that Marjorie was buried in grave 2892b alongside a “stillborn female child”. Marjorie was buried with a stillborn child who researchers believe belonged to an unknown patient.

Such practices were sadly not uncommon. Before changes introduced during the 1980s, hospitals frequently arranged the burial of stillborn babies with little or no consultation with grieving parents. Often, infants were buried in existing graves within institutional cemeteries.

A Family Marked by Tragedy

Marjorie’s father, Charles Young, was born in 1894 to Harry Young and Ellen Fanny Young, née Chesterman. According to family recollections, Ellen gave birth to as many as 23 children, though only a handful survived infancy.

The family experienced repeated tragedy. In 1905, Charles’s younger sister Minnie died after suffering an epileptic seizure during the night. An inquest heard that Minnie sometimes endured as many as thirteen fits a day. Researchers later discovered that Marjorie herself also suffered from epilepsy.

Charles married Ethel Mary Davis at St Augustine’s Church in 1920.

A Childhood of Fear and Isolation

Born on 10 June 1921, Marjorie was an only child. Family testimony has painted a troubling picture of her upbringing. Her cousin recalled stories passed down by his mother: “Marjorie was very clever and wanted to study. She was an only child so welcomed the company of my mother. As time went on it became clear to my mother that Marjorie was terrified, the reason being that her parents went out every night and left her alone in the dark. Neighbours talked of Marjorie standing at the window looking out in the dark.

“Eventually poor Marjorie had a breakdown and was admitted to hospital and my mother never saw her again.”

Public records relating to Marjorie are scarce. In the 1939 Register, compiled at the outbreak of the Second World War, she was living in Lambeth and working as a civil servant for His Majesty’s Office of Works, the government department responsible for public buildings.

The next surviving record appears nine years later.

On 14 September 1948, Marjorie died at Long Grove Hospital aged just 27. Her death certificate records broncho-pneumonia and exhaustion caused by epilepsy. She was buried at Horton Cemetery on 21 September 1948.

Someone Cared Enough to Remember

Researchers believe one detail about Marjorie’s story is especially important. She had a headstone.

At Horton Cemetery, where thousands were buried in unmarked graves, memorial stones were rare. Someone cared enough to arrange and pay for a marker. Someone completed the paperwork and ensured her resting place was acknowledged. It is also possible that family members attended her funeral.

For her surviving relative, the rediscovery of the headstone has brought comfort. “It is wonderful to hear that her gravestone survives and that has led to her being your 500th story. If only I could tell my mother. She would have been so pleased to know that somebody still cares about Marjorie.

“I think you’ve done a wonderful job and somehow righted some of the wrongs.”

Today, the rescued headstone stands not only for Marjorie Young, but symbolically for the estimated 9,000 forgotten souls buried within Horton Cemetery.

Perhaps one day it will stand there once again.

More research stories can be found on the Horton Cemetery website at Horton Cemetery

The Friends of Horton Cemetery seek to restore the cemetery to community ownership. The case for a compulsory purchase order was blocked by Epsom and Ewell Borough Council. The charity now pins its hopes on a fresh approach from the East Surrey Unitary Council. The charity has the support of Epsom and Ewell’s MP Helen Maguire, who is engaging with the Ministry of Justice on the issue.

Theresa Keneflick-Conway

Related reports:

Friends of Horton Cemetery influence law reform

Epsom and Ewell’s MP champion’s Friends of Horton Cemetery mission on “Time to Talk Day”

Epsom’s Horton Cemetery gets attention of two kinds

Petition to reclaim Horton Cemetery from property speculator

Local community gathered at Horton Cemetery

Papers documenting how novelist E.M. Forster and composer Ralph Vaughan Williams helped refugees fleeing Nazi persecution find shelter in the Surrey town of Dorking are to be made fully accessible online for the first time, through a new project led by the University of Surrey and Dorking Museum. 

The Dorking and District Refugee Committee was established in 1938 to support people escaping Nazi oppression in central Europe. Operating throughout the Second World War, the committee found housing, work and medical care for refugees, and later helped Dorking’s German and Czech nationals apply to Home Office tribunals to avoid internment as enemy aliens. Its records – held by Dorking Museum – are of national and international significance, containing individual stories of displacement, solidarity and community response during one of the darkest periods in modern history. 

The project, Accessing Refugee History in Surrey, is funded by the Community Foundation for Surrey and led by Professor Constance Bantman and Dr Beth Palmer from the University of Surrey’s School of Arts, Humanities and Creative Industries. It will create a new web-based archive, making the committee’s records fully searchable and publicly available, alongside teaching and support resources for schools, researchers and community groups.  A launch event and other activities to publicise this significant resource will take place later in 2026.  

Among the stories contained in the records is that of Sir Erich Reich, who arrived in Britain on a Kindertransport in 1939, aged four. With his older brothers sent elsewhere, Vaughan Williams personally brought the young boy to Burchett House in Dorking – a hostel provided rent-free by the Duke of Newcastle – where refugees received support from the committee. Reich went on to become a successful entrepreneur and philanthropist, and credited Dorking with saving his life.  

The committee’s work extended beyond housing. When war was declared in 1939, Dorking’s German nationals faced internment. The committee intervened on behalf of individuals, including Erika Schmidt-Landry, a former journalist whose husband had been interned on the Isle of Man, and who faced the prospect of placing her three children in an orphanage. Forster and Vaughan Williams took up her case directly. 

Professor Constance Bantman, Head of Literature and Languages and Professor of French History at the University of Surrey, said 

“These records tell the stories of people who were forced to leave everything behind, and of a community that chose to help them. Making this archive accessible means those stories – of both the refugees and the people of Dorking who supported them – can be understood and learned from by a much wider audience. At a time when questions about refuge and displacement remain urgent, this history has a great deal to teach us.” 

Dr Beth Palmer, Associate Professor in English Literature at the University of Surrey, said: 

“The Dorking Refugee Committee papers are a remarkable collection. They document not just the administrative work of the committee but the human detail – the individual cases, the letters, the decisions that changed lives. Our aim is to make all of this available to researchers, educators and the public, and to provide resources that help people engage with this important chapter of Surrey’s history.”  

Kathy Atherton, Chair and exhibitions, Dorking Museum, said: 

“The papers of the Dorking Refugee Committee are one of the most popularly requested by researchers in the archive. Covering the period from 1938 into the post-war period and immensely detailed, the papers are of national interest in documenting the refugee experience during these years. 

“We are very pleased to be working with the team from the University of Surrey to bring these papers to a wider audience whilst at the same time protecting the originals from excessive handling.” 

The project will also produce teaching resources designed to support engagement with the collection, making the archive a practical tool for education alongside its research value. 

Surrey University

Image: R Vaugan-Williams and EM Forster

A historic community building at the heart of Ewell is at risk of being lost permanently unless urgent support can be secured.

Glyn Hall, situated on Cheam Road in Ewell Village, has served local residents for generations as a space for education, social gatherings and community activity. The hall traces its origins back to around 1870 and was later bequeathed for the benefit of Ewell residents by local benefactor Margaret Glyn in 1946.

However, after more than a century and a half of use, the building has now reached the end of its functional life. The ageing wooden structure has been closed, leaving the future of the site in doubt.

Volunteer trustees responsible for the charity have spent recent years working to secure the hall’s future. Plans have been developed to demolish the existing building and replace it with a modern facility better suited to contemporary community use. Planning permission for the redevelopment was granted in January 2024.

Fundraising efforts have already attracted strong local backing, with approximately £85,000 raised from community sources. Despite this, trustees say they have only reached around half of the funding required to deliver the project in full.

They now warn that, without additional financial support or new volunteers willing to take the project forward, the consequences could be stark. The land may have to be sold, the charity dissolved, and with it the long-standing legacy of Glyn Hall brought to an end.

Trustees are therefore issuing what they describe as a final appeal to residents, local organisations and potential benefactors to come forward.

“This is a final opportunity to save Glyn Hall for future generations,” they say.

Anyone interested in supporting the project or seeking further information is invited to contact trustee Matthew Anderson at mjranderson64@gmail.com.

The future of one of Ewell’s longstanding community assets now depends on whether sufficient backing can be secured in the coming months.

Sam Jones – Reporter

Image: Glyn Hall now (Google) and the plan

Related report:

Campaign to save Ewell Village’s Glyn Hall

A local Epsom charity’s campaign to protect a forgotten cemetery appears to have helped shape national thinking on burial law reform.

The Friends of Horton Cemetery (FoHC), based in Epsom, made a detailed submission to the Law Commission in January 2025 calling for stronger legal protections for neglected burial grounds—particularly those in private ownership.

Now, with the publication of the Law Commission’s report on Burial and Cremation in March 2026, several of the group’s core concerns appear to have been recognised at the highest level of policy.

Horton Cemetery, the resting place of around 9000 former psychiatric patients from the Epsom hospital cluster, has long been at the centre of FoHC’s work. Since its sale into private ownership in 1983, the site has suffered decades of neglect, with no public access and minimal maintenance.

In its submission, FoHC argued that the law currently leaves such sites in a regulatory vacuum, with no enforceable duty on owners to maintain them and limited powers for authorities to intervene.

That argument now appears to have gained traction.

The Law Commission’s report identifies private burial grounds as an area of “real gaps in protection” and, for the first time, proposes a legal duty requiring all burial grounds—including privately owned ones—to be kept in “good order”. The report also envisages inspection and enforcement powers at national level.

These proposals closely mirror FoHC’s central recommendation that cemetery owners should be subject to a clear, enforceable maintenance obligation reflecting the historical and emotional significance of such sites.

However, other proposals put forward by the Epsom group have not yet been taken up in full.

FoHC had called for a statutory right of access for relatives, stronger powers for local authorities to intervene, and safeguards against speculative ownership and redevelopment. While the Commission acknowledges many of these issues—particularly the importance of access to graves—it stops short of recommending firm legal rights or stronger local enforcement mechanisms.

Speaking after the report’s publication, Lionel Blackman, solicitor and secretary of the Friends of Horton Cemetery and author of the legal submission said “The recognition of the problem is an important step, even if the solutions remain incomplete.”

The charity’s work has also fed into ongoing discussions with the Ministry of Justice. At a recent meeting, organised by Patron of the Charity and local MP Helen Maguire with trustees of the charity, Theresa Keneflick and Kevin McDonnell and junior Minister Alex Davies-Jones MP, Horton Cemetery was cited as a real-world example of the kind of site falling through gaps in the current legal framework.

The Law Commission’s reforms are expected to take several years to translate into legislation, with an initial Government response anticipated within six months.

For campaigners in Epsom, the message is clear: what began as a local effort to restore dignity to a neglected burial ground is now influencing the national conversation.

And while the law may not yet have caught up fully, Horton Cemetery is no longer being overlooked.

Sam Jones – Reporter

Image: Horton Cemetery 1971

Related reports:

Epsom and Ewell’s MP champion’s Friends of Horton Cemetery mission on “Time to Talk Day”

Epsom’s Horton Cemetery gets attention of two kinds

Portraits of pauper patients in Epsom’s Horton Cemetery, inspires artist

Petition to reclaim Horton Cemetery from property speculator

Local community gathered at Horton Cemetery