Verdi’s Requiem adapted for Epsom Church

Concert flyer

Epsom Choral Society (ECS) will perform the Verdi Requiem on Saturday 23rd November at 7:30pm, at St Martin’s Church in Epsom. This concert promises to be a remarkable event, showcasing a special arrangement of Verdi’s grand work with chamber ensemble by Michael Betzner-Brandt.

Celebrating over a century of musical excellence, ECS has been delivering exceptional performances to its audiences to mark its centenary in 2022. The choir has programmed a series of exciting and diverse concerts over the past two years, including a gala performance of Handel’s Messiah and a spectacular rendition of Walton’s Belshazzar’s Feast at London’s Cadogan Hall.

There are four outstanding international soloists:
Elizabeth Findon – soprano
Judy Louie Brown – mezzo
John Findon – tenor
Mark Nathan – baritone

The concert will be conducted by ECS Music Director, Julian Collings.

This November, ECS invites its loyal followers to experience Verdi’s Requiem like never before. The arrangement by Michael Betzner-Brandt is designed specifically for a chamber ensemble, allowing the choir to bring the grandeur and emotional depth of Verdi’s masterpiece to a more intimate setting while still capturing the essence and intensity of the original composition.

“Our aim is to create an unforgettable musical experience for our audience,” said Nina Kaye, publicity manager. “The Verdi Requiem is one of the most powerful works in the choral repertoire, and this unique arrangement allows us to perform it in St Martin’s Church in Epsom.”

Tickets for this not-to-be-missed event are priced at £20, with a special half-price offer for under-25s and can be bought online www.epsomchoral.org.uk. Attendees are encouraged to book early to avoid disappointment, as this concert is expected to attract a large audience.

Join Epsom Choral Society on Saturday, 23rd November at 7:30pm at St Martin’s Church in Epsom for an evening of stirring music, passion, and community. Experience Verdi’s Requiem in a new light, and be a part of the rich musical heritage that ECS continues to build in Epsom and beyond.

For more information and to purchase tickets, please visit www.epsomchoral.org.uk.




Art, culture, and science collide in Surrey

Festival of Social Sciences flyer

This November, the University of Surrey will open its doors to the public as it hosts two prominent research festivals: the Being Human Festival and the ESRC Festival of Social Science. As part of the Being Human Festival, the UK’s only national festival dedicated to the humanities, Surrey will explore key themes related to identity, culture, and the human condition. This year’s festival features a number of intriguing events, including: 

  • Landmarking through Music: Early Recordings Revealed: Listen to early recordings as heard by your great-grandparents! Connect with early 20th century music through wax cylinders and develop an understanding of their role within society at the time. 

  • Poetry Play! Performances and Workshops: Think you might be a poet? Do you love poetry? Or maybe you just don’t get it. Are you puzzled or excited by the weird ways words work in poems? If you appreciate the power of language, we made this for you. 

  • Landmarking Surrey’s Musical Heritage: Dame Ethel Smyth: Dame Ethel Smyth was a pioneering composer of the late nineteenth and early twentieth centuries, a prolific author of biographical writing about herself and others, a leading suffragette, and for the majority of her life a resident of the county of Surrey. 

Running concurrently is the ESRC Festival of Social Science, which focuses on the real-world impact of social science research. This year’s festival at Surrey tackles a wide range of urgent societal issues, including: 

  • Green Means Go? Tackling Surrey’s climate emergency through deliberative democracy: Discover the latest sustainability-focused research and innovation initiatives being led by the University of Surrey. 

  • Bridging Digital Divides: Building dialogue on online safety between youth and parents: Discover what the evidence really says about young people’s digital lives and the challenges of online safety, parenting and digital citizenship. 

  • The Role of AI in Modern Policing: Key topics will include risk assessment, facial recognition, robotics, data mining, and cybercrime detection, offering a deep dive into the current applications of AI in policing. 

  • Eco-Logic: How Can We Make Green Living Easy? Discover surprisingly simple strategies that transform your daily routine into a sustainable one, without sacrificing comfort or convenience. 

Professor Annika Bautz, Pro-Vice-Chancellor and Executive Dean of the Faculty of Arts, Business and Social Sciences said: 

 “Both festivals are designed to be interactive, accessible, and thought-provoking. They offer attendees the chance to engage directly with cutting-edge research in ways that are relevant and relatable to all aspects of life. From workshops that let you create your own art or stories to expert panels exploring societal challenges, the festivals are an invitation to explore, question, and rethink the world around us. 

“Whether you’re passionate about the arts and humanities, curious about the social sciences, or simply looking to engage in meaningful conversations, these events offer something for everyone. The University of Surrey is proud to be a hub for these conversations, and we invite the public to participate in these exciting and enriching festivals.” 

Key dates: 

  • ESRC Festival of Social Science: 19 October – 9 November 2024 

  • Being Human Festival: 7–16 November 2024 

For more information, a full list of topics and events, and to book your free tickets for any of the events, please visit: https://buytickets.at/universityofsurrey3 




Learn to play music in Epsom

A guitar lesson

UK charity Music for All is thrilled to announce their annual flagship event Learn to Play is back for
2024 giving everyone in Epsom a chance to take part in ‘the biggest free music making weekend of
the year!’

The event will be held in Guitar, Guitar – 6 Capitol Square, Epsom on the 11th -13th October and is open to all; regardless of age, experience and background and provides opportunities for participants to
experience a free taster music making lesson from a musical instrument!

Learn to Play aims to inspire, encourage and enable both new and lapsed music makers to enjoy the
wide range of benefits of music making, as well as connecting and championing local UK music
providers through a shared celebration of music making.

Learn to Play arrives at a time where music making opportunities are difficult to access due to
current cuts to arts education, resulting in many primary schools failing to meet basic music
curriculum needs for young people 1 impacting the future of the UK arts, the creative potential of the
next generation and the people who deliver quality arts education in the UK.

Sonali Banerjee, Music for All’s General Manager explains: “The Learn to Play weekend is needed
now more than ever and through our regional music making events we aim to inspire as many people
as possible in experiencing the unique joys and benefits of music making. The arts enrich our lives,
our community and economy, as well as improving our mental health. We welcome all age-groups
and particularly encourage youngsters who may not have the opportunity to experience music
lessons at school, to come along and try out an instrument of their choice.”

Music for All believes everyone should have equal access to music making and supports
disadvantaged individuals, educators and community projects through cash and instrument award
rounds throughout each year.

The positive impact of using music to support and enhance mental and physical health throughout
people’s lives has long been documented in numerous academic and social research. Learning to
play music is a fantastic opportunity to:

 Challenge your mind and strengthen your memory
 Feel pride and a sense of achievement
 Connect with others and make new friends
 Take a break from stresses and worries
 Have fun whilst being creative
 Explore the joy of music-making!

Jamie Cullum, Musician and Music for All ambassador said: “Playing a musical instrument is an amazing thing to have in your life. Sadly, not everyone has the opportunity to have those experiences. I am proud to be a supporter of the Music for All charity and delighted to be involved in their work in changing lives through music. I encourage everyone to participate in a Learn to Play event near them.”

Joshua Franklin attended a Learn to Play event nearly a decade ago and has experienced the numerous opportunities and benefits since taking part. “At eight years old Joshua decided he wanted to play the Saxophone but was unfortunately turned down from taking lessons at school for being under the age threshold. Joshua was still determined to learn so attended a Learn to Play saxophone lesson at Dawkes Music’s in Maidenhead.

Through this experience, he managed to convince his school that he was ready and able to continue learning. Joshua excelled playing the saxophone, taking his first exam (Grade 3) aged nine, achieving a distinction at Grade 8 three years later, gaining a ABRSM Diploma and taking his music G.C.S.E exam two years early, achieving a Grade A.

Joshua’s love for music has continued through obtaining a Grade A in A-level music. He now plays lead alto in Cardiff University’s big band and attends local jazz jam nights where he frequently plays along with others at local venues.”

The Music for All YouTube channel will also have a series of online tutorials by professional musicians available, including some big names! In previous years these have included Music for All charity supporters and Ambassadors such as Jools Holland, Alison Balsolm, Anne Denholm, Rob Rolfe and Dave Tench – these tutorial lessons can be accessed by anyone at any time; subscribe for free here: Music for All UK charity – YouTube.

Those interested in getting involved in Learn to Play ‘24 events and accessing their free music lesson should simply visit the Learn to Play website, select their closest venue using the interactive map and register their interest directly with the venue.

For more information on Music for All visit: www.musicforall.org.uk

The Learn to Play ’24 event is generously supported by the NAMM Foundation. Other partners include Music Industries Association, Black Lives in Music, Make Music Day UK, Music Mark, Making Music and Take it Away.

To get the latest updates on Music for All and the Learn to Play ‘24 event follow us on our social channels




Fair Art in Epsom second to none

Public at Art Fair Epsom.

Your creative senses will be tingled from the moment you arrive at the second Art Surrey contemporary art fair coming to The Duchess Stand, Epsom Downs Racecourse, 4 – 7 October 2024.

Art Surrey opens on Friday 4th October with a Preview Evening with a complimentary glass of fizz from 5.30pm to 8.30pm and opens over the weekend on Saturday 5 October 11am-5pm and Sunday 6 October 11am-5pm.

This exciting art fair curated by Art Surrey and Ewell based Art Adviser and Gallery, Caiger Art, offers art lovers and collectors the chance to browse and purchase artworks from over 80 of the most exciting contemporary and traditional artists selling today, many of whom are Surrey based artists.

As final preparations get under way, Carol Caiger, Director of Art Surrey, is, once again, excited to be bringing this art fair back to Epsom. “We had a very successful art fair at Epsom Downs last year so had no reservations about coming back for a second event.We had great feed back from visitors and one of our favourite comments was, ‘It’s like a London Art Fair, but right on our doorstep”. Being one of the largest art fairs within the south east of England, this contemporary art fair will the perfect place to find artwork to start your art collection, or add to your collection if you are already an art enthusiast!”

There will be over 3000 works of art to see, paintings, drawings, prints, digital art, mixed media art, photography, sculpture, glassworks and ceramics. With all artwork ranging from £50 to over £3000, there will be something for everyone.

Weekend facilities include a bar and café / restaurant serving teas, coffee and food throughout Saturday and Sunday, so you can easily spend a whole day there! The venue is also wheelchair accessible.

Have a sneak peek at the limited edition art fair brochure here:

Tickets are available to buy for the Friday Preview Evening, Saturday and Sunday from https://artsurrey.co.uk/tickets/,

For further information about te art fair or art advisory contact carol@artsurrey.co.uk or call 07828513885




UCA bring Austen character into 21st century

Lizzy-Bennet-avatar-final-camera-view-with-post-process-effects-Image-courtesy-of-UCA-and-StarPal

Fans of Jane Austen’s Pride and Prejudice will finally get the chance to have a conversation with their literary hero when speaking with the world-first Elizabeth Bennet avatar – Lizzy.

Created by StarPal in collaboration with University for the Creative Arts (UCA), the avatar has been developed to mirror the human qualities of Austen’s character as detailed in the novel, such as empathy and humour. Her conversations, which fans will have with her face-to-avatar, will evolve, giving each person who talks to Lizzy a unique experience.

How does Lizzy feel about being a world-first? She said: “It is quite an interesting notion indeed – I must say being Elizabeth Bennet in a world far removed from my own time is an unexpected but intriguing experience. It allows me to share the intricacies of our society and my life with new audiences.”

Following consultation and guidance from Jane Austen’s House in Hampshire, Lizzy’s knowledge bank has been curated from a selection of novels, manuscripts and period-accurate information.

Lizzy is set within a Regency-style background. Her dress and hair have been designed and created by students from the Games Arts and Digital Fashion courses at UCA, drawing on fashion templates from the period.

Sophy Smith, Director of Games and Creative Technology at UCA and the originator of the project, added: “It is so exciting to finally be able to lift Elizabeth Bennet off the page and to be able to have real-time conversations with her. To be able to cross time in this way is joyful – you get a real sense of speaking directly to someone from the 18th century. And she has such a strong personality! Imagine – you can now have Elizabeth Bennet as your friend, to chat with throughout the day and offer you advice.

“This technology has the potential to transform experiences within both the museum and heritage, as well the education sector. Visitors to Jane Austen’s House, will have the opportunity to not only experience the renowned author’s home but also engage directly with one of her most famous characters. And think about how it could transform learning – instead of only having text-based revision guides, students can now learn about literature by speaking directly to the characters.”

Director of Jane Austen’s House, Lizzie Dunford, said: “It has been fascinating to watch this project develop, and to witness the innovative staff and students at UCA developing these new technologies, and new ways of accessing literary and cultural heritage.”

Tanguy Dewavrin, the COO of StarPal, the company which built the avatar, commented Lizzy is continually surprising them: “It’s amazing how real she is – she’s just so impressive.”

Anya Haber, an MA Digital Fashion student who created the dress in 3D, added: “This project brought the ideation into the digital, but historical garments can be tricky to create accurately, so there was a mix of history and modernity. It was exciting bringing to life the cut of dress, accessories, and embroideries – all inspired by historical drawings and descriptions. It showed how useful technology can be in a historical setting, letting fans engage with fictional characters…and that’s just the beginning.”

Fans will have the chance to interact with Lizzy if they visit the Learning Centre at Jane Austen’s House between September and mid-December – included with House entry.




The lime light a foot in Epsom

Footlights performance

Aydin Mustafa, a lifelong performer and dedicated advocate for the arts, has taken on a new role as the Owner and Director of Footlights Epsom, the first Footlights franchise in London. Aydin’s passion for the performing arts began at a young age, starting in the industry at the tender age of 4. Reflecting on his early beginnings, Aydin shares, “My mum introduced me to the world of performing arts not with the aim of fame, but to instil confidence, nurture development, and foster social connections. It was a love that ignited in me instantly and continued to burn bright throughout my teenage years.”

After studying performing arts at GCSE and A-level at Woodcote High School in Coulsdon, Surrey, Aydin pursued a career in the corporate world but found himself yearning for something more fulfilling. Inspired by his deep-rooted passion for the arts and his desire to make a positive impact on the community, Aydin sought guidance from Jo Fisher, the visionary founder of Footlights, founded in 2005.

Aydin recalls, “Jo Fisher’s journey from leaving school at the age of 14 to crafting Footlights into the illustrious, multi-award-winning performing arts franchise it is today has been a constant source of inspiration for me. Her commitment to empowering young talent and creating avenues for personal growth resonates profoundly with my own beliefs and values.”

With a vision to establish a sanctuary of excellence, diversity, and inclusivity for children and teenagers aged 3-18, Aydin envisions Footlights Epsom as a nurturing environment where individuals can freely express themselves and cultivate lifelong skills “In a world that can often feel overwhelming and chaotic”.

Aydin poignantly expresses, “Our mission is to nurture the generation of tomorrow today, equipping
them with the tools, confidence, and resilience needed to navigate the complexities of the modern world.”

Aydin’s unwavering dedication to fostering young talent and nurturing personal growth is deeply rooted in his love for his 2-year-old daughter, Ayla, who serves as his greatest inspiration. “Every step I take with Footlights Epsom is guided by the hope of creating a world where my daughter can flourish, learn, and boldly express her true self. A performing arts school isn’t just about creating the next star; it’s about empowering young individuals, fostering their creativity, and equipping them with essential skills for life,” said Aydin Mustafa, Owner and Director of Footlights Epsom.

The grand opening of Footlights Epsom is set to take place on Saturday 14th September, at Epsom and Ewell High School from 9:30am to 1pm. Individuals aged 3-18 years old, regardless of background or experience, are invited to join in the celebration. The Mayor of Epsom and Ewell, Steve Bridger, will be in attendance to mark this exciting new chapter in the performing arts scene in Surrey.

Aydin lastly adds “Join us at Epsom and Ewell High School on Saturday 14th September for a day filled with fun, creativity, and the magic of Performing Arts. We look forward to welcoming the Epsom and Ewell community and neighbouring towns to our grand opening event.”

For more information about Footlights Epsom, including updates on workshops and events, follow them on Instagram and Facebook @footlightsepsom. To learn more about the school and register for the open day, visit www.footlightstheatre.co.uk/location/footlights-epsom/ or contact Aydin Mustafa via
email at epsom@footlightstheatre.co.uk

Text provided by Footlights.




Crime story of an Epsom workhouse baby

Ronnie Field

Born 1946 in the Epsom Union Workhouse Ronnie Field lived a life of crime. Together with local Epsom author Martin Knight he tells his story in Nefarious – A Life in Crime. Released in May this year it was Daily Mail Book of the Week and number one in the Amazon True Crime chart.

Ronnie Field was a prolific armed robber, close ally of crime boss Joey Pyle for forty years, friend and fellow prisoner of the Kray twins – he was the last man to stand trial with a Kray brother. Ronnie was also the inaugural prisoner in the notorious Belmarsh Unit – the “super” prison within a prison.

This is the first time Ronnie has told his incredible story. Nefarious is a raw, honest and sometimes humorous account of an abusive childhood, almost inevitable journey into criminality and life sharing the fast lane of armed robbery with the real-life Sweeney and on to the even more dangerous and murky waters of south London’s gangland.

Offering fresh Kray material, unseen photographs and untold stories regarding some of the world’s most infamous gangsters, Nefarious is an incredible first-hand account from one of the last voices of a generation.

Martin Knight

Martin Knight was born in the borough of Epsom & Ewell. Martin has had a long career in newspapers, firstly with the Financial Times, and then with various media monitoring agencies he has launched. Martin is also an author of local histories and has co-written autobiographies. He is a shareholder in Early Morning Media Ltd and publisher London Books Ltd. He was a co-founder of and serves the editorial board of the Epsom and Ewell Times.

Nefarious – a Life in Crime can be purchased via Amazon HERE.




Satisfy your eye at Epsom film festival

Epsom based Satisfied Eye International Film Festival (SEIFF) is set to dazzle film enthusiasts with its “Best of Fest 2024,” running from July 26-28 at the brand new Picture House in Epsom Square. This special event will showcase the top-rated films from SEIFF’s history, highlighting exceptional storytelling from over 20 countries since its inception in 2018.

The festival kicks off on July 26 with the “People’s Choice” segment, featuring films like the Spanish short “Ainhoa” and the heartwarming “A Kiss” from the Netherlands. This selection promises a journey through a variety of emotions, setting the tone for the weekend.

On July 27, the morning begins with “Kids Animation,” where young audiences can enjoy charming shorts such as “The Kite” and “Ian, A Moving Story.” The afternoon continues with “Best of British,” spotlighting homegrown talent with films like “The Legend of Bob Leonard” and the poignant “An Irish Goodbye.”

Saturday’s programming also includes the thought-provoking “Underage Engineers,” an inspiring Polish documentary, and the “Rising Stars” segment, which showcases emerging filmmakers. The day wraps up with “The Human Condition,” exploring deep human emotions through shorts like “Bonobo” and “Hot Chocolate.”

Sunday, July 28, starts with “Adult Animation,” including the award-winning “Lost & Found” and the haunting “The Driver Is Red.” The festival then honors female filmmakers with the “Wonder Women” segment, featuring powerful films like “A Travers” and “The Letter Room.”

The weekend concludes with “All Blood Runs Red,” a collection of shorts addressing diversity and prejudice, and “A Night at the Oscars,” celebrating SEIFF’s past Oscar nominees and winners, such as “The Neighbor’s Window” and “Brotherhood.” Finally, “The Lighter Side” closes the festival on a humorous note with a series of comedies including “Career Day” and “Archibald’s Syndrome.”

This year’s SEIFF promises a cinematic feast, offering something for everyone and celebrating the best in independent filmmaking. Don’t miss the chance to experience these compelling stories on the big screen.

For full programme and tickets click HERE




Epsom Choral Society goes to Town on English music

Epsom Choral Society in Cadagon Hall

Epsom Choral Society joined the musical forces of The Barnes Choir, The English Sinfonietta and the Arcubus Ensemble on Saturday 13th July in The Cadagon Hall, London for a stirring celebration of English music, including William Walton’s stupendous Belshazzer’s Feast. Peter Lutton reviews the concert.


England in the 18th and 19th centuries is often said to have been a ‘land without music’; this concert
proved emphatically that from early in the 20th century every effort was being made to disprove that
notion. From Parry in 1902 to Walton in 1931 we heard music of great confidence, assuredness of
technique and not least, great beauty. The large forces needed were cleverly squeezed into the venue,
including the optional extra brass. Such a splendid all-English offering encourages those of us who feel
that much concert programming pays too little heed to the sheer quantity of excellent composition in
these isles over the last one hundred and twenty years.

Parry’s ‘I was Glad’ and ‘Blest Pair of Sirens’ are staples of the repertoire but were given more than the
usual respect; indeed, there was some very careful treatment of the various parts of the text. Even if the
brass opening in the former left little room for the choirs’ entry to crescendo, mostly the dynamics were
carefully observed, the Vivats were sensibly omitted (against current trends) and the contrasting middle
sections in both were sensitively presented. The tempo of ‘I was Glad’ could perhaps have been a notch
or two faster, given that this building has no noticeable reverberation period. In the louder parts, choral
forces this size were able to balance the sheer power that modern orchestral instruments can produce
and yet the climaxes were not overwhelming in a venue which might have been thought not quite large
enough for such massed forces.

The baritone soloist, Philip Tebb, was a very good communicator in both Vaughan Williams’ ‘Five
Mystical Songs’ and Walton’s ‘Belshazzar’s Feast’, only very occasionally losing out to the scale of the
orchestral sound behind him. A few hints of intonation fractionally under the note did not detract from
his impassioned performance. When the choir was assigned to very gentle but tutti accompaniment,
they were well balanced and the effect was surely exactly what the composer intended. Also particularly
effective was the orchestral wind playing in ‘The Call’. Finally, the tightness and drive of ‘Let all the
World’ with its excellent dynamic contrast ensured an inspiring finish to these heartfelt settings of
George Herbert’s powerful poetry.

The English Sinfonietta’s strings provided a very appropriate breather in Elgar’s ‘Serenade’, before
Parry’s ‘Blest Pair of Sirens’ rounded off the first half. This was precise, immaculate ensemble playing of
a very high order. The music was allowed to breathe and a great many nuances of rhythm and dynamic
were brought out in all three movements. Particularly notable was the restraint in the final part of the
second movement. The stylish yet slightly skittish playing evident in the third movement reflects Elgar’s
confident orchestration; string players eulogise Elgar’s writing for their instruments, saying that his
understanding of their needs is shown in the way the individual lines often lie under their fingers.

The climax of the evening was of course Walton’s ground-breaking cantata, ‘Belshazzar’s Feast’. This
must have been a revelation to all its hearers back in 1931 – it has this power now, as we heard clearly in this performance. The orchestra made the most of the dramatic brass and varied percussion writing,
carefully designed so as not to drown out the choral writing, itself written deliberately in homophonic
style so that the text would be clear to the listener. The rhythmic demands in this music are considerable, yet this performance came across as confident and accurate, even if some furious counting must have been going on amongst the differing voice parts.

The emotional outpouring in the first few pages reached a peak of luminosity in the repeated setting
of the words ‘How shall I sing the Lord’s song in a strange land?’ Walton’s bold choral writing broke new
ground and the choirs did it full justice. The long and demanding unaccompanied baritone solo was
delivered with both accuracy and passion before we launched into the vivid description of the
feast and its musical elements.

Walton’s music strikes a balance between modernity and tonal tradition which makes him more approachable than many other composers; this performance was admirable for its clarity and direction. The sinister percussion introduction to the writing on the wall and the choral shout of ’Slain!’ were as effective as any visual image, showing the power of modern oratorio when brilliantly crafted and expertly handled.

The final romp of celebration was given due impetus and we were left breathless at the end by the grandeur of the conception and the quality of the performance.

Congratulations are due once more to Epsom Choral Society, The Barnes Choir, the Arcubus Ensemble
and the English Sinfonietta, all under Julian Collings, for their stirring performance of a great classic.

Peter Lutton

Formerly Assistant Director of Music, St John’s School, Leatherhead and Organist Emeritus, St Nicolas, Great Bookham.




Feast your eyes and ears on this

Belshazzers Feast

Epsom Choral Society and The Barnes Choir, two amateur choral groups renowned for their passion and dedication to musical excellence, are set to entertain audiences with a grand performance of Sir William Walton’s epic masterpiece, Belshazzar’s Feast, on Saturday 13th July 2024, at Cadogan Hall in London. Under the baton of their Musical Director, Julian Collings, and featuring acclaimed baritone soloist, Philip Tebb, this event promises to be an unforgettable evening.

The work will be performed by an 80-piece professional orchestra, including two additional brass bands as called for in Walton’s score, complemented by a combined choir of over 160 singers. Such a collaborative effort shows the commitment of both choirs to showcasing the exceptional standard of amateur choral singing prevalent in this country.

The programme will also feature a selection of other notable works, including Vaughan Williams’ evocative Five Mystical Songs, Parry’s majestic I Was Glad and stirring Blest Pair of Sirens, as well as Elgar’s enchanting Serenade for Strings.

“We are thrilled to bring together the talents of Epsom Choral Society and Barnes Choir for this ambitious performance,” said Julian Collings, Musical Director of both choirs. “Through our dedication and passion for choral music, we aim to inspire and uplift audiences, showcasing the extraordinary level of artistry that exists within the realm of amateur choral singing.”

Tickets for this event are now available from Cadogan Hall box office, offering audiences the opportunity to experience the power and beauty of choral music at its finest. Don’t miss this exciting collaboration.

Event Details:

• Date: 13th July 2024
• Time: 7:30 PM
• Venue: Cadogan Hall, 5 Sloane Terrace, London SW1X 9DQ

For ticketing information and enquiries:

Please visit www.cadoganhall.com or contact the box office on 020 7730 4500 or
online https://cadoganhall.com/whats-on/belshazzars-feast/book/912634/