The Epsom Players performance at the Epsom Playhouse on Tuesday 21st March is reviewed by Nigel Dams for Sardines and reprinted with permission. It runs till Saturday. Tickets from Epsom Playhouse box office
Until I spoke with one of the cast members (the leading cast member actually, the glorious Lydia May Whiteside) after the show, I thought this was a professional production.
When the curtain went up, I thought, hang on, amateurs can’t afford a set like this. And then when the dancing began, I thought, hang on, amateurs can’t afford dancers like this. Same with the singing.
So I decided they must be pros, and settled back to be more and more entertained as the evening went on.
Let me get the minor niggles out of the way first. I couldn’t always make out the words the singers were putting across. This was sometimes because the band, especially the horns, were just a shade too loud, sometimes because the lead was not cutting through the chorus, and sometimes because the vocal frequencies blended too much with the band’s. But this was only in the beginning, really, and got better as the show progressed.
Also, when the stage crew flew in various bits of scenery, they sometimes hung suspended and swinging an inch above the boards, which was pretty distracting. It seemed to me that another inch would have grounded them, and eliminated that.
But the rest was great, and kept getting better and better.
Right from the opening number I kept thinking how sharp the choreography was – kudos to Della Bhujoo – and how fit and well-drilled the dancers were. I have great respect for people who can do intense cardio and sing at the same time. They were singing very well too, all of them. Harmonies were crisp and close, high notes and belt notes all well struck, all very impressive. I must make special mention of the eye-popping opening number in Act 2. The entire troupe were skipping (sorry, jumping rope) in time to the music, with great vigour, while singing, led by Millie Shields as Brooke. Max respect. Especially because Ms Shields had to speak shortly afterward and you could barely tell she’d been working out.
It seems unfair to single anyone out from the cast, because they were all excellent, but I must mention Imogen Smart-Steele as Paulette (excellent accent, great singer), Akhil Gowrinath likewise and Ms Whiteside, who led the whole show, playing an enormous part with total confidence, swagger and beguiling blondness. Oh, and the two dogs who were obviously classmates at RADA.
A final special mention to the whole cast for the ‘Gay or European?’ number, which was …. perfect, and very funny.
I have to say again, I can hardly believe that this show was done by amateurs (am I allowed to use that word any more?) it was so slick, so tight, so well done. My humble and sincere congratulations to Director Chris Malone, Musical Director Dan Francis and the entire cast, band and crew. Superb.
Reprinted courtesy of Sardines Magazine